In my last post I mentioned that I wanted to create a series of my mum’s garden. I’ve followed the same steps but tried to spend even more time at the sketch stage. I’ve really enjoyed trying to challenge myself with different perspectives. I have my old art teacher’s voice in my head telling me to draw what I see not what I think I see.
We’ve had more snow here. Luckily it hasn’t disrupted work this time, but it has been extra chilly. Perfect weather for being cosy inside, watching Harry Potter films and doing some painting.
In this post I showed a recent painting I’ve been working on. I’m going to give it to Josh’s first owner, the man who rescued him, when it’s finished. Unfortunately, he’s too unwell to look after him now but he still visits which is lovely!
This is the stage it was at:
I mentioned in the first post that I wanted to work on these things:
- I want to block out Josh’s toggle on his collar. It’s accurate, but kind of manky in real life.
- I need to add some shadow to the background.
- I’m really keen to find a super fine paintbrush and add lots of little details, especially to Josh’s fur!
I was especially keen to add some details into the background and get some practise at creating more realistic scenes. To start I worked on the top-left corner to give it some life. Here’s a few progress shots. Sorry for the odd lighting – I was too into it to remember to take photos when there was natural light:
I’m really pleased with how it’s shaping up, especially the bench, and I feel like my leaves are coming along. Come to think of it, most paintings I did last year involved painting leaves so I better be getting better! Here’s how it now looks overall, with an artificial pink hue:
It doesn’t make a huge difference to the overall impact yet, but doing the smaller details still takes me SUCH a long time. Still, I take much less time to plot out my basic shapes and get colour matches that I’m happy with so there’s definitely progress!
Here’s a summary of a few things I learnt from adding the details:
- Sometimes, a wash is all you need.
- JUST USE A TINY AMOUNT OF PAINT!
- You can never have too fine a brush.
- It’s more likely that you’ll accidentally make the painting too dark, rather than too light, so keep stepping away and checking the overall effect.
That’s all for now,
Happy week all!
Gosh, a whole month since my last post!
In that month I’ve been to a wedding, spent a week in Norfolk and visited my beautiful puppy Molly a lot! She’s not coming home until the end of July but I am SO excited. I hope she loves Josh (our rescue dog) and doesn’t miss her current pupmates too much.
ANYWAY – here’s the acrylic study of my garden with a bit more detail.
Finally I had the chance to work on it when the weather and time of day was the same as when I started it.
The leaves have grown over the fence so I’m having to start paint in some more leaves in the shadow next to the cabin.
When I looked at the painting for the first time in a while, I was pleasantly surprised! I wasn’t particularly pleased with it when I left it last time. It’s amazing what a difference fresh eyes can make. I’m especially pleased now that the layers of different leaves are beginning to look more distinct. If you saw my first post about this, you’ll know that painting realistic leaves was something that I was really struggling with. Now I feel like I’ve definitely improved!
I’ll keep working on this piece. The big thing I’ve taken away from it so far is that I need to start off being confident with the contrast of light and dark so that I’m not taking as long to create form.
I hope you’ve all had a wonderful start to the month!