Alhambra

Acrylic, Painting, Step-by-Step

Hello all!

It feels like such a long time since I posted. To be honest, I haven’t done a lot of art. It’s been fairly non-stop between buying a flat (not yet exchanged contracts so keep fingers and toes crossed for me) and music concerts and festivals means my weekends have been fully booked over the last month. But I’ve found myself in the National Gallery cafe having just come back from Spain, killing some time before I go for dinner and stay in a hotel before a very early flight to Milan (that’s what this post was about), and I thought what better place to talk about art? Disclaimer: my life sounds more elegant and exotic than it is, I’m actually in need of a shower and wearing my paint covered trainers.

Years ago (like, an embarrassingly long time) I started a painting for my dad. He loves an artist called Chico Montilla because of the vibrant colours and subject matter: the Alhambra palace in Granada, my parents’ favourite place in the world. They spend just under half the year there and that’s where I’ve been the last week. It’s always relaxing and beautiful (despite the weather being practically the same as the UK this visit) and has all my art things ready to go.

I only tweaked a few things here and there, but I’ve included a few photos of the progress anyway. Somewhere I’ve got photos of it right from the start, but not in a way I can access from my phone in a coffee shop.

The style is inspired by Montilla, but I am nowhere near his level of skill, nor do I work on it regularly enough to be able to pick up where I left off, so it’s become it’s own hybrid.

Next time I’m out for a longer period of time I’d like to just start again and apply everything I’ve learnt so far. At the moment I find myself painting over the same areas and not really progressing with it, but in a way I’m quite happy with where it is. For the next Montilla inspired landscape I’d like to:

  • Plan the colours in advance rather than ad hoc and changing all the time.
  • Have a consistent approach to introducing texture – it’s a little “I’ll go abstract here” without reason which I feel flattens it in some areas (although I do like the blue of the mountains).
  • Use one consistent reference picture early on rather than taking elements from a few.

Having said that, I do love that this piece feels like a colourful record of my own progression and I always find copying an artist (/drawing inspiration) so helpful!

I’ll try to catch up with everyone else’s posts when I can charge my phone.

Any comments or thoughts always welcome!

Julia

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